11.30 LECTURE
Bettina Hesse PhD, Author and lecturer, Cologne
"Listening to Hearing – A short expedition through a receiving sense"
(in German with English paper)
On the meaning of hearing. How did Ulysses perceive the singing of the sirens? Nuances: hearing, perceiving, listening, belonging. Body, sound, chant – hearing as a language. Intermezzo: What do you hear? A memoir of voices and sounds. Rhythm, permeability and Cage: The relation between inside and outside. To hear the grass grow and silence. In time and space: The art of hearing.
14.00 LECTURE
Ari Benjamin Meyers, Artist and Composer, Berlin (digital)
"On the Kunsthalle for Music"
An introduction to the Kunsthalle for Music, its history, how it came into being and perhaps, more importantly, why it came into being. The Kunsthalle for Music’s position in relation to contemporary music and visual art is analyzed and various works and commissions included in its repertoire are discussed. The role of the art institution as a place for contemporary music-making and performance is also considered alongside more traditional institutional modes, such as the concert hall.
Further Informations
https://www.museum-folkwang.de/de/ueber-uns/forschung/konferenzen.html
THE ACT OF HEARING is supported by
Kunststiftung NRW
Pott Stiftung
Kunstring Folkwang e.V.
Bettina Hesse PhD, Author and lecturer, Cologne
"Listening to Hearing – A short expedition through a receiving sense"
(in German with English paper)
On the meaning of hearing. How did Ulysses perceive the singing of the sirens? Nuances: hearing, perceiving, listening, belonging. Body, sound, chant – hearing as a language. Intermezzo: What do you hear? A memoir of voices and sounds. Rhythm, permeability and Cage: The relation between inside and outside. To hear the grass grow and silence. In time and space: The art of hearing.
14.00 LECTURE
Ari Benjamin Meyers, Artist and Composer, Berlin (digital)
"On the Kunsthalle for Music"
An introduction to the Kunsthalle for Music, its history, how it came into being and perhaps, more importantly, why it came into being. The Kunsthalle for Music’s position in relation to contemporary music and visual art is analyzed and various works and commissions included in its repertoire are discussed. The role of the art institution as a place for contemporary music-making and performance is also considered alongside more traditional institutional modes, such as the concert hall.
Further Informations
https://www.museum-folkwang.de/de/ueber-uns/forschung/konferenzen.html
THE ACT OF HEARING is supported by
Kunststiftung NRW
Pott Stiftung
Kunstring Folkwang e.V.
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